Liberty Global: When Your Earnings Miss the Mark but Revenue’s Hitting the Bullseye

Phish Throws a Wizard of a Show at SPAC: Munchkin Hair, Ozzy Jams, and a Whole Lot of Good Vibes!

TLDR:
– Fish performed a charity concert at Saratoga Performing Arts Center, incorporating improvisation and references to The Wizard of Oz.
– The band showcased their musical skills and engaged with the audience while raising funds for flood cleanup efforts.

In the grand tradition of rock and roll, the legendary jam band Fish took to the Saratoga Performing Arts Center for a concert that was a mix of charity, improvisation, and a whimsical nod to The Wizard of Oz. Opening their first stage act since 2019 with the rousing ‘Kill Devil Falls’, the band, known for their fluid musical transitions, seamlessly slid into the ‘Moma Dance’. The audience was caught in the musical current as guitarist Trey Anastasio mixed riffs with the dexterity of a cocktail bartender during happy hour.

The show, which was more of an improvised musical journey, drew on the band’s extensive catalog, with performances of “Ocelot,” “The Wedge,” and “Maru,” which displayed drummer John Fishman’s hi-hat playing skills. The band also threw in a quirky rendition of “Sand,” featuring the theme from The Wizard of Oz. Sprinkling sections of “We Welcome You to Munchkinland” throughout the jam added a layer of playfulness to the performance that was more refreshing than a cold beer on a hot summer’s day.

The concert marked the 84th anniversary of The Wizard of Oz, and the references to the film were as plentiful as the notes Anastasio strummed on his guitar. The connection to the classic film wasn’t just musical. Fishman sported a munchkin-inspired hairstyle for the second set, proving that not all drummers are satisfied with just beating skins and crashing cymbals. He also donned a custom water drop muumuu, adding to the theatricality of the performance.

The band’s second set was a testament to their ability to navigate complex musical landscapes. Starting with “Evolve,” the set included a performance of “A Wave of Hope” that showcased the band’s improvisational skills. The performance of “Simple” featured bassist Mike Gordon’s exploratory bassline and Anastasio’s intricate sonic layers, creating a soundscape that was as fantastical and dark as a Tim Burton film.

Packed with memorable moments, the concert served as more than just a night of entertainment. It was a fundraising effort for flood cleanup in Vermont and upstate New York. The band called upon fans to donate, providing the free webcast of the show as an incentive. From engaging performances of fan-favorite songs to playful nods to a cinematic classic, Fish showed they can still create a sense of connection with their audience while, simultaneously, doing their part in responding to environmental disasters. Now, if only more bands could do the same. Rock on, Fish.

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“AgileThought’s Not-So-Thoughtful Tax Tangle Throws Tech Giant Toward the Chopping Block”

TLDR:
– AgileThought Inc. is battling a crippling $203 million debt after being hit with a hefty tax bill, putting the company on the edge of fiscal oblivion.
– The company is planning a quick auction to attract a white knight investor in an attempt to stave off complete collapse.

In the riveting saga of financial misadventures and unanticipated audits, AgileThought Inc., a once shining beacon of technological prowess, has found itself squarely in the crosshairs of Mexican tax authorities. Hit with a tax bill hefty enough to make even the most grizzled Wall Street veterans shed a tear, the company is now battling a crippling $203 million debt. The equivalent of being asked to cough up the GDP of a small island nation, the tax bill has left AgileThought teetering on the edge of fiscal oblivion.

The company’s plight is made all the more tragic by the fact that just a few years ago, AgileThought was riding high on the wave of blank-check merger mania. A period that saw more cheques written than a Monopoly tournament, AgileThought made its grand public debut through a merger with LIV Capital Acquisition Corp. Unfortunately, their party was cut short by the taxman’s unceremonious arrival, giving them a bill that could make a Kardashian blush.

Despite the looming shadow of bankruptcy, AgileThought is not going gently into that good night. Instead, it has planned a quick auction, a gambit to rope in a white knight investor. Now, the business world, popcorn at the ready, awaits this spectacle with bated breath. Akin to a high-stakes reality show, industry insiders are lining up to acquire the beleaguered company. It’s an enticing opportunity: A David, crushed by a monetary Goliath, hoping to rise from the ashes with an investor’s helping hand.

James S. Feltman, the company’s chief restructuring officer, masterfully detailed AgileThought’s woes in court documents. The tax assessment, a financial blow that arrived with all the subtlety of a sledgehammer, hit in 2021. This was just before the company’s public trading debut, making the timing as impeccable as a punchline in a stand-up routine. The bankruptcy declaration, an unfortunate testament to the company’s struggles, is an attempt to stave off a complete collapse.

AgileThought’s tale is a stark reminder of the unpredictable nature of the business world. One day, you’re a rising star, merging with corporations and being hailed as the next big thing. The next, you’re being presented with a tax bill that could make a superhero’s knees buckle. The auction, set to be held in the not-so-distant future, will determine whether AgileThought can pull off a Phoenix-like resurrection or if this is its swan song.

In the grand theatre of corporate calamities, AgileThought’s drama is set to take center stage. With a robust line-up of potential buyers, each eager to snatch up a company that has seen better days, the proceedings are sure to be a spectacle for the ages. As the gavel prepares to fall, only time will tell if AgileThought can rise like Lazarus or if its journey heads towards a curtain call.

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Pentatonix Makes Saratoga Springs Swoon with Pitch-Perfect Performances & Cello-Beatboxing Bombshells!

TLDR:
– Pentatonix, a Grammy-winning a cappella group, performed a captivating and diverse show at the Saratoga Performing Arts Center, showcasing their unique talent and fan interaction.
– The group’s impressive vocal abilities, including beatboxing and harmonizing, were showcased through powerful performances of both covers and original compositions, leaving the audience in awe.

Ladies and gentlemen, the Saratoga Performing Arts Center has been sanctified by the ethereal vocalists of Pentatonix. These harmonious musical deities have been belting out melodic symphonies for 12 years. They’ve gathered an army of fans from eight to 80-year-olds and no, we’re not making this up. Saratoga Springs had the privilege of basking in their acapella prowess. The demographic was so diverse, it could have easily been mistaken for a revolving door at the local DMV.

Georgia-bred songstress Lauren Alaina kick-started the evening, sprinkling her country twang all over the eager audience. Her array of hits, like “Road Less Traveled” and “Thicc As Thieves,” were served up like a southern fried buffet. This, however, was merely the appetizer before the five-course a cappella banquet that followed.

Pentatonix, the harmonious quintet, shot into fame like a musical SpaceX rocket after winning the third season of NBC’s “The Sing-Off.” Since then they’ve been amassing followers like a cyber Pied Piper, with over 20 million YouTube groupies and three million monthly listeners on Spotify. To top it off, they’ve managed to bag not one, not two, but three Grammy Awards and a star on the Hollywood Walk of Fame because apparently, there’s no limit to overachieving.

The vocal virtuosos started the show with a nostalgic video montage of their rise to stardom. The audience was then treated to a cover of ‘Radioactive’ that was so powerful, it could’ve powered a small city. Throughout the night, the group kept the audience enthralled with their unique take on modern pop song covers and original compositions.

The evening hit an orchestral high when Kevin Olusola, the group’s beatboxer, performed what they call “cello-beatboxing.” This unique blend of classical cello music and beatboxing had the audience on their feet faster than a Black Friday sale at Walmart. His performances of “Julie-O Celloboxing,” “Bach Celloboxing,” and “Kevins Fifth” were nothing short of musical sorcery.

The group’s acoustic talent was so impressive it was hard to believe they were doing it all themselves, and they weren’t using holograms or pulling some kind of ventriloquism trick. Notable performances include their cover of “The Sound of Silence,” their rendition of “Creep” performed on the Masked Singer, and their renowned version of “Hallelujah.”

The band’s commitment to audience interaction was delightfully engaging and not in the least bit awkward. They even managed to coax a Tik-Tok out of the crowd to Daft Punk’s “Harder, Better, Faster, Stronger.” It was so heartwarming it could’ve melted a polar ice cap.

From start to finish, the energy at SPAC was so high it could have been harnessed to light up Broadway for a week. The evening ended on a high note with a captivating encore of the Rescues’s “My Heart With You” and Queen’s “Bohemian Rhapsody” – because apparently, Pentatonix is in the business of stealing hearts and they’re doing a damn good job at it.

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“Dirty Honey Sweetens the Deal, While Guns N’ Roses Shoot Off-Key in Epic Nostalgic Night”

TLDR:
– Dirty Honey captivated the audience with their energetic performance, showcasing a blend of 80s hair band nostalgia and contemporary rock.
– Guns N’ Roses’ performance fell short, with Axl Rose struggling to capture the raw vocal energy of his youth, leaving the audience with mixed emotions.

In a world where rock often plays second fiddle to kale-smoothie-sipping pop stars and techno beats, it was a mild shock to see SPAC turn into a time warp, catapulting more than 20,000 rock gluttons into the heart of the 1980s. You’d think it was the Guns N’ Roses show with the name in large, emboldened letters on the marquee. But who really rocked the boat was the opening act – the lesser-glorified Dirty Honey.

Now, here’s the scoop. Dirty Honey, fronted by Nippertown’s own Marc LaBelle, enamored the crowd with their electrifying performance, effortlessly oscillating between scorching guitar solos and thunderous drums in a tight 45-minute set. You could almost smell the burning rubber as they took us on a high-speed chase down the memory lane of 80’s hair bands, but with an updated GPS that navigates us back to contemporary rock.

As the sun set, anticipation swelled for the long-awaited performance by Guns N’ Roses. Unfortunately, nostalgia can sometimes be a double-edged sword, or in this case, a slightly out-of-tune guitar. The legendary Axl Rose, once a symbol of raw vocal energy, seemed to stumble rather than strut through the set. His renditions felt more like weary tributes to his youthful self, as if someone had replaced his flamethrower with a Bic lighter.

Despite the rocky road, the setlist was a rollercoaster that zigzagged through the band’s illustrious career. From the raw intensity of “Welcome to the Jungle” to the poignant strains of “November Rain”, it was a nostalgic feast. Yet, the haunting strings of “Patience” followed by “Paradise City” served as a sobering reminder that time indeed waits for no man, not even a rock legend.

The night ended on a bittersweet note, leaving the audience with a cocktail of emotions – an exhilarating high from Dirty Honey’s performance and a mellow low from Guns N’ Roses’ less-than-stellar show. Yet, this is the beauty of rock and roll. It is a genre that celebrates both its past and its present, reminding us that while legends may age, their legacy continues to resonate through the chords of those who carry the torch forward.

So, when the dust settled and the echoes of the concert faded into the night, it was clear that while Guns N’ Roses may have been the headlining act, it was Dirty Honey that left an indelible mark on the audience. They proved once again that the heart of rock and roll still beats strong, even in a world that seems to have forgotten its rhythm.

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Judge Gives Japanese Corp the Green Light to Ditch Mega Casino Deal, Sparks SPAC Merger Strife

TLDR:
1. Delaware judge rules that a Universal Entertainment Corp. subsidiary can avoid a SPAC merger with 26 Capital Acquisition Corp. due to uncommendable behavior by the latter.
2. While the merger agreement is voided, 26 Capital Acquisition can still seek damages, leaving the timeline and potential ripple effects on SPAC mergers uncertain.

In a ruling that rivals the season finale of a dramatic legal show, Delaware judge, Vice Chancellor Travis Laster, has dished out a verdict that has dropped jaws across the corporate landscape. His decision? A Universal Entertainment Corp. subsidiary gets to dodge a SPAC merger with 26 Capital Acquisition Corp., a deal that had the potential to give both parties control over the largest casino in the Philippines. Seems like the house doesn’t always win after all.

The judge, in his infinite wisdom, concluded that the folks at 26 Capital Acquisition demonstrated behavior that wasn’t exactly a model of virtue. Although the specifics of their uncommendable conduct remain cloaked in mystery, it was evidently egregious enough to justify scuttling the merger agreement. Makes you wonder what they did, doesn’t it? Play poker with marked cards? Declare Monopoly bankruptcy?

Now, here’s the twist. Despite chucking the merger agreement out of the window, the judge hasn’t completely slammed the door on 26 Capital Acquisition. The company can still seek damages for the failed merger negotiations. It’s like a messy divorce where the aggrieved party seeks alimony. The only catch? There isn’t a timeline for determining these damages, which leaves us all hanging in suspense. Think of it as the cliffhanger for the next season of the corporate legal drama.

The ripple effects of Laster’s ruling are more far-reaching than a game of dominos. SPAC mergers, the Las Vegas weddings of the corporate world, are now under scrutiny. The judge’s decision puts pressure on companies to behave themselves during negotiations. Otherwise, they risk having their agreements voided faster than you can say “jackpot.” This could potentially slow down the SPAC merger frenzy, leaving companies looking to go public in a bit of a pickle.

As we all know, hindsight is 20/20. And in hindsight, Vice Chancellor Laster’s decision serves as a stern reminder of the importance of ethical behavior in business dealings. It’s akin to telling children to play nice in the sandbox. The only difference? In this case, the sandbox is a multi-billion dollar corporate merger, and the kids are high-stakes players.

With the business community still grappling with the implications of the ruling like a bad hangover, one thing is clear: this is only the beginning. For now, we wait and watch as potential damages, appeals, and challenges to the judgment unfold, shaping the narrative around this lawsuit. It’s a high-stakes game and, in this case, the house – or judge – has had the final say. So stay tuned, folks. Corporate America’s favorite legal drama is far from over.

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Apple’s Latest Circus: iPhone 14, iWatch Breathalyzer and Apparently They’re Inventing Cars Now Too

TLDR:
– Apple One is a bundled package of Apple services, including Apple Music, Apple TV+, Apple Arcade, iCloud storage, and Apple Fitness+.
– Apple One offers different tiers for different budgets, providing convenience but also tying every aspect of a user’s digital life to a single company.

Well folks, here we are again, with Apple’s latest ingenious contraption designed to pry open our wallets. They’ve just released Apple One, a cleverly bundled package of their services, designed to, as they put it, “simplify the user experience.” I bet you never thought your life was overly complicated until now, huh?

Delve into the marvel that is Apple One, and you’ll find the usual suspects: Apple Music, Apple TV+, Apple Arcade, iCloud storage and the new kid on the block, Apple Fitness+. They’re all there, like a digital Noah’s Ark. The idea here is that you’re saving money compared to subscribing to each service individually. I’ve always admired Apple’s gall; they have a unique knack for making us pay for things we didn’t even realize we needed.

And in true Silicon Valley fashion, Apple has developed different “tiers” for Apple One. Because in this brave new world, we wouldn’t want anyone feeling left out, or heavens forbid, equal. Whether you’re a cash-strapped student or a cash-splashing tycoon, Apple has a tier for you. It’s a case of the rich getting richer, and the not-so-rich, well, getting iCloud storage and Apple Fitness+.

Now, I can hear you asking, “But surely, this is just Apple making our lives easier and more convenient?” And you’d be right. As right as a person walking into a casino thinking they’ll leave richer. After all, nothing screams ‘convenience’ like having every aspect of your digital life tied to a single company.

In fact, Apple One is shaping up to be a veritable connoisseur of convenience. It’s convenience you can put a price tag on. It’s convenience you can sing along to with Apple Music. It’s convenience you can watch on Apple TV+. It’s convenience you can play on Apple Arcade. It’s convenience you can store in the iCloud. And it’s convenience you can sweat to with Apple Fitness+. That’s a lot of convenience for one subscription. I guess that’s why it’s called Apple One and not Apple Many.

Now, let’s shift gears from the perfectly polished Apple orchard and head over to the SPAC (Special Purpose Acquisition Company) jungle. You know SPACs, those blank-check companies that have become the Wall Street equivalent of a reality TV show. If you want to stay informed on the latest SPAC news, there’s a free newsletter just for you.

Sure, you could use the time you save by not scouring the internet for SPAC news to do something productive, like learning a new language or mastering the art of sourdough baking. But where’s the fun in that? Instead, dedicate your newfound free time to pondering the mysteries of the universe, like why we’re paying for a bundle of services from a company named after a fruit. Now, that’s a thought worth subscribing to.

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US Court to Okada Manila and 26 Capital Merger: Thanks, But No Thanks!

TLDR:
26 Capital’s merger with Okada Manila has been halted due to misconduct in executing the transaction and a conflict of interest by its chief counsel. This puts Okada Manila’s future and plans for a Nasdaq listing in jeopardy.

Well, here’s a tale packed with more drama than a daytime soap opera. The long-awaited merger between operators of the Philippine integrated resort Okada Manila and 26 Capital Acquisition Corp has stalled, as a US court ruled that it doesn’t need to proceed. Turns out, our friends at 26 Capital were playing fast and loose with the rules, prompting the court to cite misconduct in executing the transaction. So, it appears 26 Capital won’t be getting their hands on Okada Manila just yet.

Adele (sadly, not the singer) sued both Okada and Manila for breach of their obligations under the merger agreement. This sounds like a classic case of he said, she said, or in this case, corporation said, corporation said. The court also discovered a juicy tidbit, 26 Capital’s chief counsel had a conflict of interest in the merger. Seems he owned a majority stake in 26 Capital’s subsidiaries, a fact conveniently left out of the discussions with Okada Manila.

This outcome is a significant slap on the wrist for 26 Capital, which has been pushing to complete the merger faster than a kid running to an ice cream truck in the summer. They even took Okada and Manila to court in February, seeking an order to complete the merger, alleging both companies didn’t keep their end of the deal. But it looks like 26 Capital’s plans have been served a cold dish of justice instead of a hot serving of merger.

Something isn’t adding up in this corporate drama. A Delaware court has highlighted a possible violation of a Philippine court order in the merger. It would seem, the order calls for the board of TRLEI, a subsidiary of Okada Manila, to revert to its previous composition, including the return of Universal founder Kazuo Okada as CEO. Okada, the central figure in this corporate tussle, seized control of Okada Manila for three months in 2022. This decision could have major implications on the merger.

Now, this ruling puts a big question mark on Okada Manila’s future. The resort was banking on this merger to secure its listing on the Nasdaq stock exchange and expand its operations. The court’s decision throws a spanner in the works, adding layers of uncertainty and complexity to the situation. Both parties now have to make some tough decisions.

To sum it all up, the US court’s ruling has sent shockwaves through the business world. It’s a major blow for 26 Capital, whose questionable actions and undisclosed conflicts of interest have landed them in hot water. Okada Manila’s dreams of a Nasdaq listing are now hanging by a thread. Both parties are now left to pick up the pieces and navigate the murky waters of corporate mergers and acquisitions. This ruling will definitely keep the business community on its toes for some time to come.

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Trump Media Takes its Time: Merger Extended to 2024 for Potentially Groundbreaking Shake-Up in Media World

TLDR:
– Digital World Acquisition (DWAC) and Trump Media have extended their merger until September 8, 2024, but Trump Media can still decide to walk away by September 30.
– The complexities and controversies surrounding their relationship with Donald Trump make their business venture risky and uncertain.

Well, buckle up folks, here’s an episode of ‘Keeping up with the Shareholders’ you wouldn’t want to miss. Digital World Acquisition (DWAC) and Trump Media, the power couple of the media world, have decided to give their relationship another whirl. Yes, you heard it right! This isn’t another chapter from an overly dramatic reality show. It’s a bona fide business update that has won the approval of 72.33% of the outstanding shares, according to a recent 8-K filing.

This love story of sorts has been given an extension until September 8, 2024, to make their merger official. They seemed to have garnered more votes than an American Idol finale. But in a plot twist that could rival any season finale, Trump Media can still walk away by September 30, if they decide it’s not the best interest of the shareholders. Yes, even in business, breakups are possible folks!

Remember when the shareholder vote was originally scheduled for last month, but got delayed until Tuesday? That’s like trying to schedule a meeting with the movers and shakers of Hollywood. The SPAC needed some extra time to gather more votes, you know, like a politician promising free ice cream to anyone who’ll listen. Under last month’s reworked agreement, our dear DWAC can also decide to abandon the deal. Unexpected, but isn’t that what makes this saga intriguing?

While our power couple is looking to redefine their business, they’re also planning to take on industry giants. It’s as if David has decided to take another shot at Goliath. But let’s not forget, ladies and gentlemen, the media environment isn’t a playground. It’s more like a minefield with a sign that reads “Proceed at your own risk”. The complexities and controversies that come with their relationship with the one and only Donald Trump, could be like navigating through a labyrinth with a blindfold on.

So, will this ambitious undertaking be a smashing success or just another overhyped reality show? Will they navigate the media minefield successfully or step on a landmine they didn’t see coming? Will this power couple stick together and redefine their business, or will they decide it’s best to see other people? Only time will tell, folks. Until then, grab your popcorn and stay tuned for the next episode of this gripping saga!

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“Lightning eMotors Inc. – From Crash to Revamp, A Tale of Putting Pedal to the Metal Amid Lawsuits”

TLDR:
– Lightning eMotors faces financial challenges and allegations of misrepresentation in regards to its drivetrain’s capabilities.
– The company must now rebuild trust and prove that it can overcome adversity and succeed in the electric vehicle industry.

In the high-stakes game of electric vehicles, the company with the most tantalizing of names, Lightning eMotors, finds itself in the precarious position of having to weather its own storm. A storm of the financial kind, mind you, not the dramatic, nature-infused spectacle we’d hope for from a company named “Lightning”. A name like that, you’d expect them to harness the raw power of nature, not get tangled in the web of corporate misrepresentation.

It turns out that several insiders connected with the pre-merger special purpose acquisition company had a financial urge, stronger than a lightning bolt, to wrap up the deal. This immense incentive, shareholders allege, sent them down a electrified path of overstating the drivetrain’s capabilities. These allegations, quicker than a flash, have been brought to the US District Court for the District of Colorado. And here I thought lightning only struck twice, not thrice, on the courtroom battlefield.

The company’s mission, however lofty it may sound, is sustainable mobility. They’ve decided to rally the troops, clear the smoky path, and commit to rebuilding trust. Trust, it seems, is as elusive as catching lightning in a bottle. And the company certainly has its work cut out for it. After all, it’s one thing to make grand statements about transparency and resilience, it’s another to put your money where your charging port is.

Lightning eMotors, in the face of adversity, must now prove that it’s not just a one-hit wonder – that the lightning it’s named after, can indeed strike twice. The investors, who have been somewhat singed by the whole affair, are waiting to see if the company’s next strike is one of success or another misstep.

But let’s be honest here. In the grand scheme of things, what we’re really looking at is the age-old story of ambition, greed, and the occasional bolt of lightning. The corporate world, much like the weather, is unpredictable and fraught with storms. Companies rise, companies fall, and Lightning eMotors finds itself in the middle of this tempest. The question is, will they manage to ride it out, or will they end up as another cautionary tale?

Only time will tell if Lightning eMotors will re-emerge, phoenix-like, from the ashes of its current predicament. Or maybe, just maybe, the company will find a way to channel its inner Ben Franklin, turn its kite towards the storm, and harness the power of the very lightning it’s named after. The electric vehicle world is waiting, with bated breath, for the next strike.

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“Phish Fans Hook Line and Sinker: Musical Wizardry, Jams, and Oz References Hit SPAC”

TLDR:
– Fish performed a special, not-for-profit concert to raise funds for flood cleanup efforts.
– The band showcased their musical prowess and ability to seamlessly transition between classic hits and new favorites, creating unforgettable moments for the audience.

What do you get when you blend the musical prowess of Fish, the band’s endless energy, and a heavy sprinkle of Wizard of Oz references? A very special, not-for-profit, jam-infused night at Saratoga Performing Arts Center (SPAC) in Saratoga Springs, New York. The band, fresh off a summer tour, took to the stage to raise funds for flood cleanup efforts in Vermont and upstate New York, proving that their hearts are as big as their talent.

The show kicked off in style with a high-octane performance of “Kill Devil Falls,” showcasing the band’s seamless ability to transition between classic hits and new favorites. The audience was treated to a virtuoso performance from guitarist Trey Anastasio, who fired off a series of riffs that were as bewildering as they were beautiful. It wasn’t all about Anastasio, though. The rest of the band laid a solid foundation for improvisation, with drummer John Fishman’s agile hi-hat playing being a particular highlight in the band’s superb rendition of “Mal.”

The crowd was given a blast from the past when the band broke into a rendition of “Punch You in the Eye,” a song which had been absent from the setlist for almost a year. This nostalgic nod was well-received by the audience, but it was the unexpected musical tribute to The Wizard of Oz that really whipped the crowd into a frenzy. Midway through a jam, Anastasio began playing the familiar riff of “Welcome to Munchkinland,” which initially seemed out of place but soon merged beautifully with the music, creating an unforgettable climax.

The second set was no less impressive, with the band delivering an extraordinary performance of “A Wave of Hope,” a song that has become synonymous with outstanding improvisation. However, the band didn’t rest on their laurels, instead following up with a spectacular rendition of “Simple.” Bassist Mike Gordon and Anastasio created a fantastical space, transitioning seamlessly between different musical themes, much to the delight of the audience.

The performance came to a close with a soulful rendition of “Wading in the Velvet Sea,” with keyboardist Paige McConnell taking the lead vocals. As the band left the stage, the original version of “We Welcome You to Munchkinland” echoed through the venue, marking the end of a truly magical evening. Fans, left in a state of euphoria, couldn’t help but wonder how they could return to the real world after such an exceptional show. But with the band set to return to the stage for another much-anticipated performance, one thing is clear: the magic of Fish concerts is here to stay.

In bringing references from the Wizard of Oz to their dizzying improvisations, Fish proved they are in a league of their own. The band continues to cement its position as one of the greatest live bands of all time, creating unforgettable musical moments, and reminding us all that in the world of music, anything is possible. So, get ready to enter a world where “Welcome to Munchkinland” might just become your new favorite song. Bravo Fish, you’ve done it again!

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